My last NovelRace update was ages ago. I can’t quite explain why there hasn’t been one in all this while. Have I not been learning? Far from it.

I’ve been reading like crazy. After an initial burst and burnout, I slowed down and prioritised my schedule. I’ve taken apart books and stories, read the way I did over a decade ago…with no regard for time or day or genre. It has been overwhelmingly enriching.

The writing has been much less. But I’ve been thinking a lot more. Long sojourns of brooding punctuated by brief frenzies of writing. I think my technique is improving too. And the wonderful Aha! moment happened a few months back when I discovered my characters thinking for themselves and taking their stories to their own logical conclusions. It hit me – I had just found my voice!

And yet, my heart has been heavy these past few months, quite unlike the exhilaration that came with the first few months. I know it could be a number of reasons. The initial burst of enthusiasm has waned, giving way to a more full-bodied, if less vibrant energy. There is also a flip side to finding the voice. Just like actors get into the skin of their characters, I find myself in the situations that I write in and feeling what my characters do. It is bewildering since my life for all purposes is petering out at the same slow pace as it has in these past few months. And yet, I find myself unaccountably sad, guiltwracked, troubled, cheerful, delighted and confused. My characters are facing these things in their stories and before I write in what happens to them, I have to feel the magnitude of each emotion to filter out the most potent bits of it into words.

I spent one entire month under sombre darkness. I wrote in an extra-marital affair and carrying the burden of the guilt, the secrecy, the injustice, the pain, the conflicts…it was too much. I couldn’t bear to look at my drafts for two weeks. And when I did, I hastily put down words to just ‘get it out of the way’. I know I will need to go back and much time and effort will be needed on the revisions. But I just don’t have it in me to face that just now.

The other thing I feel is a terrible sense of loss. Very early in my writing, I found a partner. He was working on a first novel too and enjoyed words just as I did. We became friends very quickly and the start of my career as a writer is linked inextricably with the beginning of our friendship. We talked long and often about our respective drafts. It’s difficult to explain just why this is so critical. But he opened up my mind to the world of literature and writing. He broadened my understanding of my own craft. And he expanded the scope of my story. In making a case to him when he played devil’s advocate, I strengthened my own story. My characters were shaped and nuanced by the fallout of our many discussions. And in all those emotions that I felt, he was with me. It felt like I had an extra brain to toss around all these thoughts.

That relationship has waned in these past five months. For reasons I won’t get into, I am quite unable to resume the friendship. I feel an overwhelming sense of betrayal, like he has abandoned both me and my book. We had promised each other once that the acknowledgements in each of our books would contain a lengthy mention of the other. I’ve written mine in already and I don’t know what to do with it. Should I remove it, since he’s left me mid-way? Should I let it stay since the project may never even have begun or, indeed, come this far, if it weren’t for him? It troubles me like something pricking in the corner of my eye. I can’t ignore it, I can’t seperate myself from it. And at the end of it all, my story suffers in an orphaned state.

I’ve tried to find other replacements. There have been others who’ve offered counsel, many other wonderful people who have given help and support. But none of them is him. He is after all, the godfather (as I once called him) of this book and that is not a role that can be replaced.

And I am troubled by my own dependence on him. I haven’t needed another person so much in all my years of work. But I also got away from that, in the hope that writing would be different, involve a different work ethic. I didn’t want to shield myself from other people in fear like one learns to in the corporate world. And while it was good, it was the best way to be, personally and professionally. But now that he’s gone, it brings home the reason why people hold themselves in reserve. To be let down, hurts so much, tangibly and in other not so visible ways. And yet, if the lesson in this is that one must be alone in what one does, I am in quandary. In my writing, I am my truest self and that person is not a solitary one at all. That is a person who needs company and connection and withers without it. If the only option is to be ‘independent’ then I think I’d rather get back to my old job. At least I just have to wear a facade there, not change my innermost being.

I’m ending this here because I don’t know where I stand. For the record, the novel now stands at 78,421 words. It’s nearly 80% complete in what I envisioned of the first draft. And after that, it will need considerable modification to ensure consistency of voice, grammar & punctuation checks and some major pruning down of length. I know if I leave this here it will haunt me all my life. And at the same time, having come this far, I know only how the easiest parts are behind me.

I just put asideΒ Lord of the Rings an hour ago, having finally read it from cover-to-cover in one go. In that universe I would be akin to Frodo at the end of Book One. The Fellowship has broken and there is a long, ardous journey ahead with no hope of reprieve or return. But even Frodo had a Sam Gamgee and I don’t.


Other NovelRace updates:

  1. NovelRace
  2. Adventures Galore!
  3. If You Fall, Get Up & Run Again!
  4. The Lone Runner
  5. My Characters Are For Real!
  6. The View From The Shoulders Of Giants
  7. So Much In A Name!
  8. Taking A Stand
  9. Everything But The Novel
  10. The Long, Dark Teatime Of The Writing Soul
2 thoughts on “NovelRace 11: The Long, Dark Teatime Of The Writing Soul”
  1. When i have hit that spot, i have almost always taken the same option, go away from everyone i already know and live alone/surrounded by strangers… But after a while of doing that, i have found that my past selves and future selves come around, nay drag me back to finish the work. Don’t worry your future self is already at work saying you’ll be haunted, if you don’t finish. Your past self will come back and you’ll sail through the rest of the book.

  2. Hey Hi,

    The moment I read this post, I’m going through the selfsame set of emotions –in my own work that is. So it feels humbling to read this and realize that I’m not just the only one colonized by my own edgy writing moralities. The barbed-wires of solitude doesn’t provide me enough peace or space, while the overwhelming people-ness of the people I wish to go to makes me cringe and say “What’s the worth in sharing the fictional idea that is afraid of itself; idea that just skitters and dreads reality.” At the outset, every idea smiles with an invisible gun pointed up your head.

    But it’s always worth to share the sentiments with someone inside the same goldmine…isn’t it? πŸ˜€

    As for partners; they always run short in this world. Zadie Smith once said: “Literary world is a small puddle.”

    Thank You!

    (your fellow in workshop…and hey we met last Friday too :))

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